★★★
Kindle Edition, 246 Pages
October 2014, Prism Book Group
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _"It is 616AD, and one fatal night the ancient Kingdom of Elmetia falls. Saxons kill the Elmetian King, and capture Princess Teagen. Teagen poses as a slave girl and works for the Saxons in the Kingdom of Deira, until she discovers her brother is alive. She finds a way to escape, and her path crosses with Ryce the Warrior.
Struggling with his past, and angry against the tyrant Saxon king, Ryce helps the princess in pursuit of her brother. But just as the connection between them intensifies, obstacles get in their way. The Saxon king now wants vengeance, and will stop at nothing to get it"
I picked this book almost as soon
as I realized it was written by a British author. They are few and far between
in the Christian Historical Fiction Genre (and I naturally gravitate towards my
fellow country people), and because am fascinated by Britain in the seventh and
eighth centuries. The period of warrior Kings and saints, when the disparate
Anglo-Saxon Kingdoms were gradually converting to Christianity. The world which
inspired Tolkien’s Middle Earth.
This was certainly a very sweet
and very heartfelt Christian story, which would certainly appeal to young girls
obsessed with Princesses, or teens looking for a clean romance with a deeper
theme behind it. On that level, I did in some sense enjoy the book- but- (here
it comes), I do prefer my historical fiction to be more realistic and
plausible- in other words to really get a ‘feel’ for the time.
I understand that this is
Historical Fantasy, rather than straight Fiction, but for me the main problem
was that there seemed to be no real sense of period. Swords and some of the clothes
aside, it could have been set is almost any age, and didn't really do the justice to the time.
Perhaps I expecting too much
and all along consciously comparing it to the works of Edoardo Albert, which
are set at about the same time and include some of the same characters- but are of a very different style which this author was not trying to emulate.
Yet
some of the details were jarring which really did not help- like the many
references to the ‘Hospital Office’ were the physician Sherwin is to be found- behind
his desk- where an Apple Mac and filing cabinet might not have been too much of
a surprise.
In terms of the style, this seemed to be one of those stories that seems to rely strongly on action- upon the characters being in danger or peril much of the time, in the midst of thier blossoming relationship. The romance and Christian theme added something, but maybe things could have been padded out a little more?
Also, the characterisation,
whilst suitable for the genre and target audience, did not always seem very
strong. Princess Teagan was a little too perfect, yet often whiny when people
told her to do something she didn’t want to. She and most of the good guys
seemed invincible, able to survive assassination attempts, major injuries and
falls from cliffs- when the baddies in the battle scene could be killed with a
single sword trust.
I was a little discomfited by the
depiction of King Edwin of Northumbria. I appreciate that he was meant to be the
villain (and the descendants of the Celtic peoples of Britain probably still is
regarded as such) but he was very much the stereotypical indolent caricature of
a villain- cowardly, oafish and rather stupid. Hardly believable as the warrior
King of history, whose power stretched over most of Britain.
Overall, this is a worthwhile
story with a strong Christian message that does not demand too much of the
reader. It would very much appeal to the target audience, and is worth a read
for adults, but it’s just not a favourite. However, I would certainly consider
reading more by this author, and see her writing develop.
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