Games of God and Men- Book 6 of the Latter Annals of Lystra
★☆☆☆☆
"Driven to distraction keeping control of twin twelve-year-old daughters, Surchatain Ares welcomes the services of a jester at the palace of Westford. Upon finding himself a celebrity and a confidant of the Surchatain, the jester attempts to discredit his main rival for Ares’ attention: the Surchataine Nicole. In countering the jester’s attack, Nicole turns to the superior gamesmanship of the beautiful, heartless Chataine Renée, who plays her part with such skill that the jester becomes a pawn in a power struggle between two provinces. However, the game is altered by the unexpected entrance of another player—Renée’s younger brother Henry. Exiled for his faithfulness, struggling with the apparent capriciousness of God, Henry makes the move that determines the game’s outcome."
As ‘historical’ fantasy goes, this series has to be one of the worst I have ever read. The ‘Medieval’ historical setting is (to borrow a term someone else used) nothing more than superficial ‘window dressing’, the characters are more like modern people in fancy dress than Medieval people. Their beliefs, attitudes and values are largely inconsistent with their time and their speech and language is sometimes just- bizarre. Many of the characters use modern Americanisms and slang words which just seem very noticeable. They seem to ‘sound’ just like Americans, not like Medieval Europeans at all. The only exception is one particular character, a member of the Royal Household named Renee, whose use of Long words and High register language gave me the impression that she was supposed to have a High Class pseudo-‘British’ accent of some description.
Alongside the anachronisms (for
instance spray perfume bottles), there seems to be a general tendency amongst
the characters to share and reflect modern standards and attitudes by taking a
negative stance towards things that modern people might see as unpleasant or
unpalatable. Yet there seems to be no effort on the part of the author to
understand or appreciate the differences in attitudes that people had in the
past, or see things the way they did, even if we do not agree with them.
For instance, one of the
characters’ main concerns in this novel is dealing with the evil King of a
neighbouring country who uses torture and supports slave traders (ignoring the
way in which Renee abuses and mistreats others in their own country), or much
attention is devoted to dealing with slave traders elsewhere. This could be justifiable in some instances,
but in this and other novels in the series in does seem to cause the story and
characters to have and almost self-righteous and polemical tone towards actual
or perceived social ills.
The most troubling aspect of this
novel however was the characters’ attitudes towards morality, in particular
sexual morality, especially on the part of the Christian characters. On the
surface, it appears that the characters concept of honour and decency are
entirely consistent with the importance that medieval people might have placed
on these virtues. Ares the Surchatain (equivalent to a King) is prepared to
literally kill to protect and defend the honour of his 12 year old daughter
Bonnie, whose actions had to potential to unwittingly put her in a compromising
situation.
Ares’ actions result from his
fear that his young daughter’s reputation could be destroyed because of the way
in which such behaviour would be seen and perceived by others, even though nothing
actually happened. Bonnie was however an
innocent and relatively naïve 12 year old who likely did not realise or appreciate
the potential sexual connotations which might be perceived by her arranging to meet a man by herself.
Yet, later on the novel a
character called Renee, who is known for being sexually promiscuous (indeed she
boasts about and flaunts this) behaves in a way that is not only inappropriate,
but downright indecent and obscene in public. That is, after a jester addressed
a sexually explicit love song towards her, she expressed her thanks by laying
her breasts against his body, kissing him passionately, and telling him to come
to her bedroom later- in full view of everyone at the feasting table. Yet the
same people who Ares feared would be regard the innocent social faux-pas of his
daughter as so heinous consider Renee’s behaviour here to be perfectly
acceptable, and in no way detrimental to her ‘good name’ or ‘reputation’. They
still regard her as ‘respectable’ and ‘virtuous’ both before and after this
incident.
It would appear then, the
Lystrans do not consider such acts of shameless wantonness to be in any way
contrary to their notion of what constitutes ‘decency’ and ‘respectability’.
This seems to be further evidenced by another incident involving Renee in which it was
revealed that she had entertained no fewer than 5 sexual partners in one month,
who had ‘visited’ her some 12 times during that period. Ares' wife Nicole fears
that if news of this becomes public, it will damage Renee’s ‘reputation’, and
despite her husband’s assurances that many people know anyway, Nicole goes to
great pains to hide the truth about Renee’s sexual misconduct from as many
people as possible. At one point she even told that if she is not more careful
the wicked servants would start gossiping and spreading false rumours about
her- or to put it another way they will speak the truth about her immorality
and licentiousness.
The implications of this may be important- they seem to show that even though Nicole is a ‘Christian’ she apparently does not see
anything wrong with upholding and maintaining a blatant falsehood about Renee’s
behaviour and conduct. She and Ares do not stop Renee from having men in her bedroom;
they just make sure that as few people know about it as possible, and regard
those who would speak the truth as liars and gossips, whilst still regarding
Renee as ‘respectable’ and virtuous.
Later on Nicole further revealed
her unscrupulous and scheming side by asking Renee to use her ‘wiles’ to get
information out of the aforementioned Jester (who had been caused Ares to
distrust her). Basically, this involves Renee seducing the jester, and in the
midst of doing so he reveals that he once stroked a ladies’ foot when he had
acted as her confessor. In a display of ludicrous moral hypocrisy of the
highest order Renee was shocked and outraged by the revelation, and judges the
jester’s behaviour to be ‘indecent’ and ‘obscene’ - as though she were some blushing
maiden.
It did not occur to her that
considering her own behaviour and lifestyle, she was in no position to judge
anyone else’s behaviour in such a way, and that what the jester’s actions were
positively tame and innocent in comparison to her own. The hypocrisy does not stop here;
however, as Renee goes ober in her mind how she would throw the jester down a well if he ever tried to act 'inappropriately' towards her- even whilst she is passionately kissing and embracing him.
So it is perfectly acceptable for her to behave
like a slut and have sex with as many men as she wishes, yet in her mind, any
man who behaves 'inappropriately' towards a woman is evil and lecherous. This apparent
inconsistency in attitude towards sexual immorality on the part of women and
opposed to men is particularly worrisome element of this series.
Such hypocrisy,
double standards and seeming misrepresentations of the truth are all too common in this
series. It appears that the author wants the audience to believe, like the
characters do, that Renee is a ‘good girl’ really- a model of moral virtue
who is outraged by sexual misconduct- on the part of men anyway.
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